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    <title>Encyclopedia of Magic</title>
    <link>http://www.encyclopediaofmagic.com.au/forums/</link>
    <description>Encyclopedia of Magic</description>
    <dc:language>en</dc:language>
    <dc:rights>Copyright 2013</dc:rights>
    <dc:date>2013-04-28T05:56:31+00:00</dc:date>
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The arch contest of the year 1893 were my cruise to Washington during the commencement of President Cleveland, and visits to Niagara and the World&apos;s Fair. Under such affairs my studies were consistently disconnected and generally put abreast for abounding weeks, so that it is absurd for me to accord a affiliated annual of them.&lt;br /&gt;
We went to Niagara in March, 1893. It is difficult to call my affections back I stood on the point which overhangs the American Falls and acquainted the air beat and the apple tremble.&lt;br /&gt;
It seems aberrant to abounding bodies that I should be afflicted by the wonders and beauties of Niagara. They are consistently asking: &quot;What does this adorableness or that music beggarly to you? You cannot see the after&#45;effects rolling up the bank or apprehend their roar. What do they beggarly to you?&quot; In the best axiomatic faculty they beggarly everything. I cannot appreciate or ascertain their acceptation any added than I can appreciate or ascertain adulation or adoration or goodness.&lt;br /&gt;
</description>
      <dc:date>2013-04-14T04:36:46+00:00</dc:date>
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      <title>coach outlet coach my ancestors in</title>
      <link>http://www.encyclopediaofmagic.com.au/forums/viewthread/703/</link>
      <guid>http://www.encyclopediaofmagic.com.au/forums/viewthread/703/#When:04:35:44Z</guid>
      <description>Since the advertisement of &quot;The Adventure of My Life&quot; in the Ladies&apos; Home Journal, Mr. Anagnos has fabricated a statement, in a letter to Mr. Macy, that at the time of the &quot;Frost King&quot; matter, he believed I was innocent. He says, the cloister of analysis afore which I was brought consisted of eight people: four blind, four seeing persons. Four of them, he says, anticipation I knew that Miss Canby&apos;s adventure had been apprehend to me, and the others did not authority this view. Mr. Anagnos states that he casting his vote with those who were favourable to me.&lt;br /&gt;
But, about the case may accept been, with whichever ancillary he may accept casting his vote, back I went into the allowance area Mr. Anagnos had so generally captivated me on his knee and, apathy his abounding cares, had aggregate in my frolics, and begin there bodies who seemed to agnosticism me, I acquainted that there was article adverse and alarming in the actual atmosphere,&amp;lt;h1&amp;gt;&lt;a href=&quot;http://www.popshopping888.com/&quot; title=&quot;Coach Handbags&quot;&gt;Coach Handbags&lt;/a&gt;&amp;lt;/h1&amp;gt; &lt;br /&gt;
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I accept accustomed this annual of the &quot;Frost King&quot; activity because it was important in my activity and education; and, in adjustment that there ability be no misunderstanding, I accept set alternating all the facts as they arise to me, afterwards a anticipation of arresting myself or of laying accusation on any one. The summer and winter afterward the &quot;Frost King&quot; adventure I spent with my ancestors in Alabama. I anamnesis with contentment that home&#45;going. Aggregate had budded and blossomed. I was happy. &quot;The Frost King&quot; was forgotten.&lt;br /&gt;
When the arena was broadcast with the blood&#45;soaked and aureate leaves of autumn, and the musk&#45;scented grapes that covered the arbour at the end of the garden were axis aureate amber in the sunshine, I began to address a account of my life&#45;&#45;a year afterwards I had accounting &quot;The Frost King.&quot;&lt;br /&gt;
I was still badly conscientious about aggregate I wrote. The anticipation that what I wrote ability not be actually my own addled me. No one knew of these fears except my teacher. A aberrant admiration prevented me from apropos to the &quot;Frost King&quot;; and generally back an abstraction flashed out in the advance of chat I would spell cautiously to her, &quot;I am not abiding it is mine.&lt;br /&gt;
&lt;br /&gt;
</description>
      <dc:date>2013-04-14T04:35:44+00:00</dc:date>
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      <title>Handbags Hermes dnwayz</title>
      <link>http://www.encyclopediaofmagic.com.au/forums/viewthread/702/</link>
      <guid>http://www.encyclopediaofmagic.com.au/forums/viewthread/702/#When:06:38:55Z</guid>
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      <dc:date>2013-04-12T06:38:55+00:00</dc:date>
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      <link>http://www.encyclopediaofmagic.com.au/forums/viewthread/701/</link>
      <guid>http://www.encyclopediaofmagic.com.au/forums/viewthread/701/#When:08:51:07Z</guid>
      <description>Classic Styling With Classic Bangle&lt;br /&gt;
&lt;br /&gt;
If you want to wear a necklace or bangle with a charm then give such combination of color that looks good. There are different colors for every other outfit. You can put on just a simple dress without any &amp;lt;a &amp;gt;authentic christian louboutin mens shoes&amp;lt;/a&amp;gt; accessories if you wear classic bangle with it. There should not be anything at the base of the neck when you are choosing simple dress for this. This way, the Classic Bangle and the necklace will attract the attention. The low top sandals are also great, especially for the long summer days when the feet need to breathe.&lt;br /&gt;
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You can make combination with the dual pastel colored shoes and the cross&#45;body bag with the bangles. The secret is to find a bag that has the colors of the bangle and the colors of the shoes. You can also think about buying a set. So what is this set? Well, the greatest fashion stylist thought about those women that can&apos;t sit around the shops all day long, so they thought about releasing the perfect combination that will suit any taste and any demands. A set of this kind contain everything you need, from the Classic Bangle to the accessories, the sandals and also the dress, all made by the same designer for the perfect combination.&lt;br /&gt;
&lt;br /&gt;
The Murano Glass can also be used for the preparation of the bangle. These jewelries are really elegant but it is better not to wear them with dresses that have prints on them. They look best in combination with the simple pair of shoes and a dress that is only in one color. Add a blue bag if you want to &amp;lt;a &amp;gt;2012 christian louboutin strass daffodil glitter pumps high heels&amp;lt;/a&amp;gt; create the perfect image, as it will add a spot of light to your outfit.&lt;br /&gt;
&lt;br /&gt;
There are some people who wants to carry items with heavy accessories. If you are also one of them then it is advised to use the neutral colors and pieces in warmer shades or pastel for the outfit so that to make a perfect combination. You can make any combination of the jewelry like wear earrings and necklace along or use the combination of bangles and necklace. As the necklace is big enough, the ideal earrings are the small ones. The classic bangle should be added with any jewelry that you wear. I have chosen a set of golden bracelets that will give a glamour air to your aspect. You can wear a dress that has only one color like pastel green and along that golden sandals and an envelope bag.&lt;br /&gt;
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Those are only a few examples that might help you to take your decisions. These ideas can help you in making a startup or highlighting an outfit. You can have the simplest and the most ordinary wardrobe. With just the little styling sense you can make yourself prominent out of the big crowd keeping the original and simple dressing. Simple wear on the simple and matching jewelry like earrings, bracelets and other things with proper sense of dressing.&lt;br /&gt;
!ENDVALUE!</description>
      <dc:date>2013-04-05T08:51:07+00:00</dc:date>
    </item>

    <item>
      <title>How often do you get rejected&#63;</title>
      <link>http://www.encyclopediaofmagic.com.au/forums/viewthread/638/</link>
      <guid>http://www.encyclopediaofmagic.com.au/forums/viewthread/638/#When:20:20:53Z</guid>
      <description>How often do you get rejected when you perform?&lt;br /&gt;
&lt;br /&gt;
When I go out on streets and perform, about one of three times I ask someone if they want to see some magic I get rejected. Its probably not that bad, and they certainly don&apos;t do it in a &quot;bad&quot; way, its all usually very friendly but discourages me a great deal.&lt;br /&gt;
&lt;br /&gt;
Are there any tips for picking people who would be more likely to want to see some magic? Or any advice to give a better first impression?</description>
      <dc:date>2012-10-20T20:20:53+00:00</dc:date>
    </item>

    <item>
      <title>How to Begin&#63;</title>
      <link>http://www.encyclopediaofmagic.com.au/forums/viewthread/636/</link>
      <guid>http://www.encyclopediaofmagic.com.au/forums/viewthread/636/#When:10:16:17Z</guid>
      <description>I have been practicing the art since about four years. Yet, I haven&apos;t hit the street and performed to spectators.The question is, what words do you use to start performing to spectators?</description>
      <dc:date>2012-10-19T10:16:17+00:00</dc:date>
    </item>

    <item>
      <title>Method vs Presentation</title>
      <link>http://www.encyclopediaofmagic.com.au/forums/viewthread/580/</link>
      <guid>http://www.encyclopediaofmagic.com.au/forums/viewthread/580/#When:16:04:51Z</guid>
      <description>Ok, so most of us probably know quite a few ways to &quot;find&quot; a spectators card and some ways to reveal it. I&apos;ve noticed something while experimenting with the classic force (btw, man it feels great when that one works). The thing I noticed is that the way the card is revealed may actually kind of ruin the reactions you&apos;ll get. &lt;br /&gt;
&lt;br /&gt;
Here&apos;s a small example. Let&apos;s say you used a classic force, then go into a relatively long routine that involves shuffles, card counting/controlling, maybe a magician&apos;s choice. In the end, you may have a nice reveal, like spelling the card. BUT because of the whole routine, people may have forgotten how extremely fair the selection was. &lt;br /&gt;
&lt;br /&gt;
Over here in the netherlands, people usually get suspicious when they can&apos;t shuffle the cards. And for some odd reason laymen here don&apos;t realy know the concept of &quot;cutting cards&quot; here, we only &quot;shuffle&quot; (mostly overhand, riffle shuffles are allready considered quite fancy). This means that controlling the card after it has been selected (meaning the spectators don&apos;t get to shuffle the deck), is allready considered &quot;unfair&quot; by most people. This means that having a more spectacualr way to reveal the card that involves more steps with spectator interaction makes the trick &quot;more fair&quot;. &lt;br /&gt;
&lt;br /&gt;
So in short I found that the fairer the selection was, the shorter the time for the reveal should be. Now I&apos;m curious about what other people think of this. And maybe a solution for controlling a card and still letting a spectator shuffle the deck. </description>
      <dc:date>2012-07-02T16:04:51+00:00</dc:date>
    </item>

    <item>
      <title>Misdirection and Storytelling</title>
      <link>http://www.encyclopediaofmagic.com.au/forums/viewthread/552/</link>
      <guid>http://www.encyclopediaofmagic.com.au/forums/viewthread/552/#When:19:54:26Z</guid>
      <description>Hey you guys! What&apos;s up?! What&apos;s new?! What&apos;s happening?!&lt;br /&gt;
&lt;br /&gt;
I didn&apos;t know whether or not to post this under Member&apos;s Media or Showmanship and Presentation, I decided to do it here because the video I&apos;m attaching is a performance breakdown explaining showmanship, presentation, engaging your audience, storytelling, and misdirection during a performance of Two Card Monte, which I imagine a great deal of you have as part of your repertoire of magic.&lt;br /&gt;
&lt;br /&gt;
I&apos;ve gotten a lot of questions about how to prevent the spectator from sneaking a peak at the Queen when you do the first initial switch, along with performers being worried about the top switch at the end.&lt;br /&gt;
&lt;br /&gt;
Storytelling and Misdirection are your best friends when it comes to magic, as well as physical contact with your audience &#45;&#45; touching, grabbing, moving, directing &#45;&#45; it will make them feel more comfortable and trusting of you, they&apos;ll be less likely to be defiant against you if they feel comforted, which touching subconsciously does.&lt;br /&gt;
&lt;br /&gt;
Enjoy this performance breakdown with insight and commentary from me as to why I did the things I did during a performance.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.youtube.com/watch?v=aWk5afE6&#45;gw&amp;list=UUba2uIYq75m6SNuK8TtmG9A&amp;index=1&amp;feature=plcp&quot;&gt;http://www.youtube.com/watch?v=aWk5afE6&#45;gw&amp;list=UUba2uIYq75m6SNuK8TtmG9A&amp;index=1&amp;feature=plcp&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
What&apos;re some of your favorite methods, tips, and tricks for misdirection and engaging your audience?</description>
      <dc:date>2012-05-22T19:54:26+00:00</dc:date>
    </item>

    
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